I was gonna use clothes pins on your nips, but with that much sweat they’re not going to stay on. But you’re lucky - I brought an alternative!”With that proclamation, I present the two alligator clamps that I brought. From her facial expression, I’m not sure if she considered herself as lucky as I did, but that’s beside the point. Speaking of point: her nipples are clearly in favour of the harsh clamps, as they form two sharp points. Soon, both points are flattened by the sharp teeth of the metal clamps. The cruel clamps have a strong spring, so this definitely gets her attention. But I’ve only just started. Next come two long rubber bands, each one tied to one of her big toes. At this point, Anna is merely looking curious, so she hasn’t figured out the next bit yet. But when I grab the band on her left toe and stretch it upwards, understanding dawns, accompanied by a widening of the eyes in what is at least apprehension, maybe even fear. Apparently, the alligator clamps are really. Passing by this ever changing figure, she’d hear ‘Hey Rixie…’, her passage simply following its linear pattern as the silhouette lowered its hand and its head, replying ‘Of course…’ as it walked away from her, a punch to the head and a headache slithering our heroine into a new environment. The scent of mint and medicine, a silence which could overcome that of a cemetery at night befalling the chamber as she looked down upon a bed, the two extending hands clenching on the metal rebar of the bed, tears flooding down as the same figurine appeared behind her, its hand lifting to befall the woman’s shoulder. It was however shuddered off, the figurine falling down to its knees as she left and covering its face, the wall serving as a gravestone at this shadow’s head. This reel did not stop however, a montage of blood stained images pushing Rixie into a breathing fit, her eyes opening to bruised arms and a gun, the corpse of what she identified as only the antagonist on the ground, bars.
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